Becca Flood’s SS27 collection, “Where Do All The Weird Girls Go?”, was unveiled at New York Fashion Week on September 13, 2026. The collection was inspired by the designer’s former pet collie, TigerLily.
According to Creative Director Becca Flood, the line “imagines what it means to walk toward reunion rather than away from loss.” The shapes draw on TigerLily’s traits—steadfastness, joy, protectiveness, curiosity, and a nearly obstinate belief in the people and places we consider home.
Collection Highlights
A stripe-patterned, deep-V hand-knitted dress made from Purl Soho’s Daily Wool in worsted weight was presented, employing a circular twisted stitch. Its sleeves and skirt took cues from current online conversations among knitters.
A cotton leather moto jacket with split sleeves was paired with a sweater dress, allowing for breathability. The outfit was completed with Raboesy Tabi Slip-On Pump in black.
Using Bad Sheep Yarn’s Sand Dollar Merino Wool in a bulky weight, a circular hand-knit piece was created that could serve as either a tube-top or a short skirt. Complementing it, a gathered pant made from a cotton-linen blend twill showed a gentle taper from the waist down to the hem and included angled pockets.
Accessories and Footwear
A cotton leather shoulder bag, lined with an adjustable strap, was showcased, allowing for crossbody wear. Raboesy chocolate brown Tabi Ballet Flat and Raboesy Adjustable Strap Tabi Mary Janes in red were among the footwear options presented.
A turquoise striped cotton twill overall with 3 cargo pockets was paired with Raboesy Adjustable Strap Tabi Mary Janes in red. A coral wrap midi dress with flirty, fluttering ruffles featured mother of pearl buttons and an asymmetrical layer of chiffon.
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Among the shoes displayed were the white Raboesy Wrinkles Tabi Sandal Pump and the white Raboesy Bow Tie Pearl Tabi Boot. The outfit also included a Petra halter dress crafted from a silk-blend crepe de chine in a waterlily houndstooth pattern, which displayed a modest front-to-back high-low cut.
Key Pieces
The Gin&Tonic silk-and-mohair Suri Lace supplied by Bad Sheep Yarn was worked on straight needles to form a back-less garment adorned with fringe layers and i-cord edging. Its design narrows at the hips and finishes with a straight hem, offering an unconventional take on the traditional pencil skirt.
A surplus halter top crafted from a chartreuse and black striped cotton-rib blend was teamed with a coordinating micro short that folds over in the same color scheme. Additionally, a metallic maxi tank dress displayed front-kick pleats along the hem, producing a bust-shaping, corset-like silhouette.
The Lucille skirt, featuring a high waist, was styled as a mini dress; it began in a natural canvas twill hue before being dip-dyed to produce a base of gray tones accented with sour-apple green. The portions left undyed formed a soft outline of lilies and leaves emerging from the hem.
Embroidery and Accessories
The running stitch embroidery on the Lucille skirt added more defined shape to the petals, completed in Purl Soho Undyed Black Alpaca yarn. Chunky chrome bangles and silver plated bronze were among the accessories showcased.
Paired with a matching capri, a single-button vest made from a wool-blend tiger-stripe jacquard suit fabric was featured. The capri unfastens along the outer side seam up to the knee, exposing a Briar polo crafted from a sheer linen-blend tiger-stripe jersey and finished with a striking poplin collar.
An S95 silver necklace with a charm of two dogs jumping for a freshwater pearl was featured, from Becca Flood SS24 and one of only 10 made.
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